Damian Marley releases 16-track reggae compilation
The collection, titled No Better Riddim, features established and emerging artists performing individual tracks over a shared musical foundation.
By Hugo Khalil ·
Ghetto Youths International released the complete No Better Riddim compilation on Friday, Oct. 16, following a multi-month rollout of individual singles. The 16-track project was produced by Grammy Award-winning artist and producer Damian “Jr. Gong” Marley. It showcases the Jamaican musical tradition known as one-riddim or juggling.
Ronnie Tomlinson, CEO of Destine Media Inc. and the project’s publicist, explained that this format requires multiple artists to write distinct lyrics and melodies for a single shared track. She noted that the result allows the collection to feel cohesive without sounding repetitive. The songs explore themes of love, spirituality, resilience, and personal reflection.
The rollout began earlier this year with Jemere Morgan’s track “Know Better,” which established the riddim’s melodic base. Subsequent individual releases included Romain Virgo’s “Lay My Head,” Alaine’s “Love Again,” and Pressure Busspipe’s “So Amazing.” Other early singles featured Turbulence, Ghost, and Jaz Elise.
The full release introduces previously unheard contributions from Sevana, Chino McGregor, Richie Spice, Medisun, Singing Melody, Da’ville, Zaila Jazz, and Queen Omega. The album concludes with the instrumental track “No Better Riddim (Version)” by Damian Marley. This structure allows each performer to build a unique song around the same musical foundation rather than appearing as a standard feature.
Tomlinson stated that Marley’s production blends roots reggae, lovers rock, and contemporary influences. He leaves space for each artist’s individual character to stand out. The lineup mixes veteran voices with members of the genre’s contemporary generation, creating a bridge between different eras of Jamaican music.
The project reflects Ghetto Youths International’s focus on reggae that prioritizes musicianship and authentic storytelling. It demonstrates how the traditional riddim format can adapt for a global audience. The compilation serves as a complete body of work that unites these diverse perspectives under Marley’s production.
Source: Caribbean Life
